Walter Elias Disney was born on December 5, 1901. He was an American film producer, director, screenwriter, voice actor, animator, entrepreneur, and philanthropist. Disney is notable as one of the most influential figures in the field of entertainment during the twentieth century. As the co-founder (with his brother Roy O. Disney) of Walt Disney Productions, Walt became one of the best-known motion picture producers in the world. The corporation he co-founded, now known as The Walt Disney Company, today has annual revenues of approximately U.S. $30 billion.
Walt Disney's ancestors had emigrated from Gowran, County Kilkenny in Ireland. His father Elias Disney had moved to the United States after his parents failed at farming in Canada. As a child Elias moved with his family all around the United States, as his father chased various business ventures. He also worked as a mailman in Kissimmee (Orlando), Florida, future home of Walt Disney World. Elias moved to Chicago in the late 1800s soon after his marriage to Flora Call. Walt was born in Chicago.
In April, 1906 Elias grew disenchanted with the violence in Chicago and moved his family to Marceline, Missouri, where his brother owned property. There he bought a house and 45 acres of farmland. While in Marceline, Disney developed his love for drawing. One of their neighbors, a retired doctor named "Doc" Sherwood, paid him to draw pictures of Sherwood's horse, Rupert. He also developed his love for trains in Marceline, which owed its existence to the Atchison, Topeka and Santa Fe Railway which ran through town. Walt would put his ear to the tracks in anticipation of the coming train. Then he would look for his uncle, engineer Michael Martin, running the train.
The Disneys remained in Marceline for four years, moving to Kansas City in 1910. There Walt and his sister Ruth attended the Benton Grammar School where he met Walter Pfeiffer. The Pfeiffers were theater aficionados and introduced Walt to the world of vaudeville and motion pictures. Soon Walt was spending more time at the Pfeiffers than at home.
Walt Disney is particularly noted for being a film producer and a popular showman, as well as an innovator in animation and theme park design. He received twenty-two Academy Awards and forty-eight nominations during his lifetime, holding the record for the individual with the most awards and the most nominations. Disney has also won seven Emmy Awards. Disney and his staff created a number of the world's most famous fictional characters, including the one many consider Disney's alter ego, Mickey Mouse. He is also well-known as the namesake of the Disneyland and Walt Disney World Resort theme parks in the United States, France, Japan and China.
Walt Disney died of lung cancer on December 15, 1966, a few years prior to the opening of his Walt Disney World dream project in Orlando, Florida.
In 1917, Elias purchased an interest in the O-Zell jelly factory in Chicago and moved his family back there. In the fall, Disney began his freshman year at McKinley High School there and began taking night courses at the Chicago Art Institute. Disney was the cartoonist for the school newspaper. His cartoons were very patriotic, focusing on World War I. Disney dropped out of high school at 16 so he could join the Army, but the army didn't take him because he was too young.
Instead, Walt and one of his friends decided to join the Red Cross. They were supposed to be 17 years old to join but, against his father's will, his mother forged Walt's birth certificate saying he was born in 1900 instead of 1901. The Red Cross sent him to France for a year. During that year, he drove an ambulance, on which he also drew Disney characters.
He moved to Kansas City to begin his artistic career. His brother Roy worked at a bank in the area and got a job for him through a friend at the Pesmen-Rubin Art Studio. At Pesmen-Rubin, Disney made ads for newspapers, magazines, and movie theaters. It was also there that he met a shy cartoonist named Ubbe Iwerks. The two respected each other's work so much, they became fast friends and decided to start their own art business.
Disney and Iwerks (who now shortened his name to Ub Iwerks) formed a company called "Iwerks-Disney Commercial Artists" in January 1920 (it was originally called Disney-Iwerks, but the two thought they would be confused with a shop that made eyeglasses). Unfortunately, few clients were willing to hire the inexperienced duo. Iwerks left temporarily to earn money at Kansas City Film Ad Company. Disney followed suit after the business venture was taken over by his New York financial backers Winkler and Mintz.
When Disney arrived in Los Angeles, he had $40 in his pocket and an unfinished cartoon in his suitcase. Interestingly, he first wanted to break away from animation, thinking he could not compete with the studios in New York City. Disney said that his first ambition was to be a film director. He went to every studio in town looking for directing work; they all promptly turned him down.
Because of the lack of success in live-action film, Disney turned back to animation. His first Hollywood cartoon studio was a garage in his uncle Robert's house. Disney sent an unfinished print to New York distributor Margaret Winkler, who promptly wrote back to him. She wanted a distribution deal with Disney for more live-action/animated shorts based upon Alice's Wonderland.
Disney looked up to his brother Roy, who was recovering from tuberculosis in a Los Angeles veteran's hospital. Disney pleaded to his brother to help him with his fledgling studio, saying that he could not keep his finances straight without him. Roy agreed and left the hospital with his brother. He never went back and never had a recurrence of tuberculosis. Virginia Davis (the live-action star of Alice’s Wonderland) and her family were relocated at Disney's request from Kansas City to Hollywood, as were Iwerks and his family. This was the beginning of the Disney Brothers' Studio. It was located on Hyperion Avenue in the Silver Lake district, where the studio would remain until 1939.
In 1925, Disney hired a young woman named Lillian Bounds to ink and paint celluloid. He was immediately taken with her. She began to pull double duty as secretary a few months later. Disney then began to take her out on dates, their first being the Broadway show, No, No, Nanette. He would also take her out on drives in the hills of Los Angeles.
By 1927, Charles B. Mintz had married Margaret Winkler and assumed control of her business, and ordered a new all-animated series to be put into production for distribution through Universal Pictures. The new series, "Oswald the Lucky Rabbit", was an almost instant success, and the Oswald character, first drawn and created by Iwerks, became a popular property. The Disney studio expanded, and Walt hired back Harman, Ising, Maxwell, and Freleng from Kansas City.
In February of 1928, Disney went to New York to negotiate a higher fee per short from Mintz. Disney was shocked when Mintz announced that not only he wanted to reduce the fee he paid Disney per short but also that he had most of his main animators, including Harman, Ising, Maxwell, and Freleng (notably excepting Iwerks) under contract and would start his own studio if Disney did not accept the reduced production budgets. Universal, not Disney, owned the Oswald trademark, and could make the films without Disney.
Disney declined Mintz's offer and lost most of his animation staff. The defectors became the nucleus of the Winkler Studio, run by Mintz and his brother-in-law George Winkler. When that studio went under after Universal assigned production of the Oswald shorts to an in-house division run by Walter Lantz, Mintz focused his attentions on the studio making the "Krazy Kat" shorts, which later became Screen Gems, and Harman, Ising, Maxwell, and Freleng marketed an Oswald-like character named Bosko to Leon Schlesinger and Warner Bros., and began work on the first entries in the Looney Tunes series.
It took Disney's company 78 years to get back the rights to the Oswald character. In a move that sent sports broadcaster Al Michaels to NBC Sports for their Sunday night NFL coverage, the Walt Disney Company reacquired the rights to Oswald the Lucky Rabbit from NBC Universal in 2006.
After having lost the rights to Oswald, Disney had to develop a new "star". Most Disney biographies state that Disney came up with a mouse character on his trip back from New York. It is debated whether it was he, or Iwerks who actually designed the mouse (which basically looked like Oswald, but with round instead of long ears). The first films were animated by Iwerks, his name was prominently featured on the title cards. The mouse was originally named "Mortimer", but later christened "Mickey Mouse" by Lillian Disney who thought that the name Mortimer did not fit.
Mickey's first animated short produced was Plane Crazy, which was, like all of Disney's previous works, a silent film. After failing to find distributor interest in Plane Crazy or its follow-up, The Gallopin' Gaucho, Disney created a Mickey cartoon with sound called Steamboat Willie. A businessman named Pat Powers provided Disney with both distribution and Cinephone, a sound-synchronization process. Steamboat Willie became a success, and Plane Crazy, The Galloping Gaucho, and all future Mickey cartoons were released with soundtracks. Disney himself provided the vocal effects for the earliest cartoons and performed as the voice of Mickey Mouse until 1946. Disney believed Mickey would make it far into television. After Steamboat Willie was released, Mickey became a very close competitor to Felix the Cat, and Walt Disney would continue to successfully use sound in all of his future cartoons as well. Upon the failure of Felix the Cat's transition to sound in 1930, Mickey Mouse became the world's new favorite animation character.
Joining the Mickey Mouse series in 1929 were a series of musical shorts called Silly Symphonies. The first of these was entitled The Skeleton Dance and was entirely drawn and animated by Iwerks, who was also responsible for drawing the majority of cartoons released by Disney in 1928 and 1929. Although both series were successful, the Disney studio was not seeing its rightful share of profits from Pat Powers, and in 1930 Disney signed a new distribution deal with Columbia Pictures.
Iwerks was growing tired of the temperamental Disney, especially as he was doing the majority of the work, and so was lured by Powers into opening his own studio with an exclusive contract. Disney desperately searched for someone who could replace Iwerks, as he was not able to draw as well or as quickly; Iwerks was reported to have drawn up to 700 drawings a day for the first Mickey shorts.
Meanwhile, Iwerks launched his successful Flip the Frog series with the first sound cartoon in color, "Fiddlesticks," filmed in two-strip Technicolor. Iwerks also created two other series of cartoons, the Willie Whopper and the Comicolor cartoon series. Iwerks closed his studio in 1936 to work on various projects dealing with animation technology. Iwerks would return to Disney in 1940 and, in the studio's research and development department, would go on to pioneer a number of film processes and specialized animation technologies.
Eventually, Disney was able to find a number of people to replace Iwerks. By 1932, Mickey Mouse had become quite a popular cartoon character. The Van Beuren cartoon studio attempted to cash in on this success by creating a specific process, making these the first commercial films presented in this new process. The first color Symphony was Flowers and Trees, which won the first Academy Award for Best Short Subject: Cartoons in 1932.
In 1932, Disney received a special Academy Award for the creation of Mickey Mouse, whose series was moved into color in 1935 and soon launched spin-off series for supporting characters such as Donald Duck, Goofy, and Pluto.
As Mickey's co-creator and producer, Disney was almost as famous as his mouse cartoon character, but remained a largely private individual. His greatest hope was to be a father to many children. However, the Disneys' first attempts at pregnancy ended in miscarriage. This, coupled with pressures at the studio, led to Disney having "a hell of a breakdown", as he called it. His doctors said that he had to get away for a while, so he and his wife went on a Caribbean cruise and then traveled to Washington, D.C.
When Lilly Disney became pregnant again, Disney told his sister in a letter that he did not care what sex the child was, just as long as they were not disappointed again. Lilly finally gave birth to a daughter, Diane Marie Disney, on December 18, 1933. Disney was excited to finally have a child. A few years later the Disneys adopted a second daughter, Sharon Mae Disney, born on December 21, 1934.
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